lundi 27 novembre 2017

newsletter NOVEMBER 2017

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VIVA NEW posters!!!!
Tony Cheung / red eyes
 

sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm 

25 euros
Tony Cheung / magma
 

sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm 

25 euros
Zven Balslev - flowerorgans

sickscreen print / 50 ex / 4 colors / 50/70 cm / paper fedrigonni ivory 260 grm 

25 euros
Daisuke ichiba - deadsushi

sickscreen print / 50 ex / 2 colors / 70/1000 cm / paper fedrigoni ivory 260 grm 

50  euros
Emhre Orun - deadbondage

sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm 

50  euros
Dav Guedin - Back Home

sickscreen print / 50 ex / 4 colors / 50/70 cm / paper fedrigonni ivory 260 grm 

25 euros
               Jiro Ishikawa - ultimo grito

sickscreen print / 50 ex / 4 colors / 70/100 cm / paper fedrigoni 260 grm 

50  euros
               Pakito Bolino  - ultimo IAGO

sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm 

50  euros
               Pakito Bolino  - Pachamama

sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm 

50  euros
               Pakito Bolino  - redevil

sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm 

50  euros
               Pakito Bolino  - Suspence

sickscreen print / 50 ex / opaque white on black paper / 70/100 cm / paper fedrigoni 260 grm 

50  euros

Le Mauvais Oeil 38 / abraham diaz 

EXPO VISIBLE DANS L'ATELIER DU DERNIER CRI JUSK'AU 14 decembre

Voyeurism, sadism, masochism, self-mutilation, death, murder, suicide, gratuitous violence, sex, masturbation, TV addiction, urban decay. In his solo debut Suicida #1, Abraham Diaz works with these elements, mixes and molds them at will, creating a solid and always funny cartooning. In late 2015, the Mexican artist published with his imprint Ediciones Joc Doc 200 copies of this 28×20 cm comic book, texts in English and Spanish, a screen-printed cover, white and black paper with the addition of green, sometimes used as ink but also for the pages of the inserts. A good-looking but also dirty object, Suicida #1 digs up the underground punk aesthetics and the tradition of the single-artist floppy anthology in one shot. The opening story is The Witness, starring a lonely middle-aged man telling a policeman about a murder he watched spying in his neighbor’s bathroom. Diaz’s line is grotesque, cripples characters’ bodies, stretches their noses, twists their teeth, in a style that looks at many artists we loved over the last twenty years (Kaz, Ivan Brunetti, Johnny Ryan) but also at Mad magazine, gag cartoons, newspaper strips. And it’s not a case if inside the book we find two half sheets with four Misery Funnies, classic gags with text below the cartoons. One of this shows a man naked on the toilet, a steaming mug in one hand, the handset of the phone in the other and below “You don’t seem to understand… I’m my mother’s only child!”. And the telephone handset is a substantial detail, because the whole book is stuck in the 80’s or even before for aesthetics and settings and there is deliberately no trace of cell phones, computers and Internet.

 Posters MAKI 

 2 sickscreen print / 50 ex / 2 colors / 50/70 cm / paper fedrigonni ivory 260 grm 

25 euros  each 

KIPINGTOUCH ?
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LEDERNIERCRI.ORG
DC MAIL : dc@lederniercri.org






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